Soul Strut 100: # 25 - Nas - Illmatic

RAJ

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May 5, 2025
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I will slowly be unveiling the Top 100 Soul Strut Related Records as Voted by the Strutters Themselves.

# 25 - Nas - Illmatic

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The list so far:

# 100 - Jr. and His Soulettes - Psychodelic Sounds
# 99 - Sir Joe Quarterman & Free Soul
# 98 - Donny Hathaway - S/T (1971)
# 97 - Bernard Wright - ???Nard
# 96 - Tom Scott - Honeysuckle Breeze
# 95 - People Under the Stairs - Question in the Form of an Answer
# 94 - Harlem River Drive
# 93 - Black Moon - Enta Da Stage
# 92 - Marvin Gaye - Here, My Dear
# 91 - Muddy Waters - Electric Mud
# 90 - Les McCann - Layers
# 89 - Jimi Hendrix - Electric Ladyland
# 88 - Leroy Hutson - Hutson (1975)
# 87 - ESG - S/T (1981)
# 86 - Can - Tago Mago
# 85 - Bohannon - Stop & Go
# 84 - WILLIAM DEVAUGHN - Be Thankful For What You Got
# 83 - Power of Zeus - The Gospel According to Zeus
# 82 - Gang Starr - Hard To Earn
# 81 - The J.B.???s - Doing It to Death
# 80 - Parliament - Osmium
# 79 - McNeal & Niles - Thrust
# 78 - The Lafayette Afro Rock Band - Malik
# 77 - Earth, Wind, and Fire (1971)
# 76 - Dr. Dre - The Chronic
# 75 - Black Sabbath (1970)
# 74 - Trap Door / An International Psychedelic Mystery Mix (2006)
# 73 - Bob James - One
# 72 - Matthew Larkin Cassell - Pieces
# 71 - The Beginning Of The End - Funky Nassau
# 70 - Big Bear - Doin??? Thangs
# 69 - Steely Dan - Aja
# 68 - Quasimoto - The Unseen
# 67 - Curtis Mayfield - Curtis/Live! (1971)
# 66 - Al Green - Im still in love with you
# 65 - The Beatnuts - Street Level
# 64 - Archie Whitewater - Archie Whitewater (1970)
# 63 - Pete Rock & C.L. Smooth - Mecca & the Soul Brother
# 62 - Notorious B.I.G. - Ready to Die
# 61 - The J.B.???s - Food For Thought
# 60 - Don Blackman (1982)
# 59 - Niagara - (Tiddies)
# 58 - Can - Ege Bamyasi
# 57 - Whatnauts - On the Rocks
# 56 - The Mohawks - Champ
# 55 - McDonald and Giles (1971)
# 54 - Darondo - Let My People Go
# 53 - Dorothy Ashby - Afro Harping
# 52 - Beastie Boys - Paul???s Boutique
# 51 - Mulatu Astatke - Mulatu of Ethiopia
# 50 - Lyman Woodard Organization - Saturday Night Special
# 49 - Isaac Hayes - Hot Buttered Soul
# 48 - Lyn Collins - Think (About It)
# 47 - James Brown - In The Jungle Groove
# 46 - Bill Withers - Still Bill
# 45 - Stevie Wonder - Innervisions
# 44 - Silver Apples - S/T
# 43 - Mobb Deep - The Infamous
# 42 - Lyn Christopher (1973)
# 41 - Serge Gainsbourg - Histoire de Melody Nelson
# 40 - Gang Starr - Step in the Arena
# 39 - Diamond D - Stunts, Blunts, & Hip Hop
# 38 - Terry Callier - What Color is Love
# 37 - David Axelrod - Song of Innocence
# 36 - The Invaders - Spacing Out
# 35 - Leo Sayer - Endless Flight
# 34 - Public Enemy - It Takes a Nation of Millions to Hold Us Back
# 33 - DJ Shadow & Cut Chemist - Brainfreeze (Mix)
# 32 - Michael Jackson - Thriller
# 31 - DJ Shadow - Endtroducing
# 30 - De La Soul - 3 Feet High and Rising
# 29 - Ray Barretto - Acid
# 28 - The Sylvers - II
# 27 - Donald Byrd - Places and Spaces
# 26 - Shuggie Otis - Inspiration Information

Please discuss your reactions to this record. The thread will be archived later here.

About


Illmatic is the debut album of American rapper Nas, released on April 19, 1994, by Columbia Records. After signing to the label with the help of MC Serch, Nas recorded the album during 1992 and 1993 at Chung King Studios, D&D Recording, Battery Studios, and Unique Recording Studios in New York City. Its production was handled by Nas, Large Professor, Pete Rock, Q-Tip, L.E.S., and DJ Premier. Styled as a hardcore hip hop album, Illmatic features multi-syllabic internal rhyme patterns and inner city narratives based on Nas' native Queensbridge, New York.

Upon its release, the album debuted at number 12 on the U.S. Billboard 200 chart, selling 59,000 copies in its first week. However, its initial sales fell below expectations and its five singles failed to achieve significant chart success. Though it experienced initial low sales, Illmatic received positive reviews from most music critics upon its release and earned praise for its lyrical content, production, and Nas' lyricism. On January 17, 1996, the album was certified gold by the Recording Industry Association of America, and in 2001, it earned platinum certification after shipments of one million copies in the United States.

Since its initial reception, the album has been recognized by writers and music critics as a landmark album in East Coast hip hop. It contributed to the regional scene's artistic renaissance in New York, while marking an influential, stylistic change in hip hop at the time. Its influence on subsequent hip hop artists has been attributed to the album's production and Nas' rapping. Several writers have cited Illmatic as one of the quintessential hip hop recordings and one of the greatest hip hop albums of all time. It has been included in numerous best album lists by critics and publications.


http://en.wikipedia.org/wiki/Illmatic

Related Threads

so I???m listening to Illmatic for the first time ever

Illmatic vs 36 Chambers

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NAS VS. REDMAN

Media





 
Too low! Top 10 for me. All killer, no filler. Nas at his very best, and Pete Rock, Premier, Extra P, and Q-Tip all at the height of their powers delivering golden beat after golden beat. It was like all creative forces involved were in a contest to out-do each other on the quality scale.





I wish we had more trimmed-down hip-hop releases like this one. It's brief length is barely noticeable because what's there is amazing.
 
HarveyCanal said:Prolly couldn't see as high as I be.




So whatcha sayin'?





I still listen to this one, and "New York State of Mind" still gets me every time. I really enjoyed reading Primo's account of the recording in Complex a while back:





What???s crazy about ???New York State of Mind??? isn???t just that it???s Nas??? best song ever, what???s crazy is how many tries it took for a young Nas to get it just right.





???He did that in one take,??? explained to DJ Premier, when we spoke to him last year for "DJ Premier Tells All." According to Nas, the original verse was close to 60 bars which he wrote in the studio that day.





???If you listen to ???N.Y. State of Mind?????? continued Premier. ???You???ll hear him going, ???I don???t know how to start this shit,??? because he literally just wrote it. Before he started the verse, I was signaling him going, ???One, two, three,??? and he just goes in.???
 
my best friend got this for my bday and i've listened to it religiously eversince
 
i didn't really get into this record until real late so i think i missed some of the magic of it being new but from an objective stand point it's pretty flawless...
 
I'm shocked that it's at #25. I figured it'd for sure be a top 5 Soul Strut album. As said above, all killer, no filler. I wish more hip hop albums were this focused from beginning to end.
 
happened to be just now playing this record. fresh as ever.





likewise surprised at it's (relatively) low appearance
 
Is it accurate to say that Illmatic was largely responsible for making the multiple-hot-producers album acceptable to Real Heads????





From my 1990s vantage point out in the sticks, it seemed like before Illmatic all the underground rappers all had "their" sound and "their" crew, including "their" producer, and the idea of having a different producer on every track was considered the domain of wannabe-sellouts who were chasing a bunch of different audiences by getting tracks from whoever was hot at the moment. After Illmatic, though, that shit didn't seem like such a big deal. And of course now it's commonplace.





Was Illmatic in fact the pivot point for all that, or was I just projecting?
 
james said:Is it accurate to say that Illmatic was largely responsible for making the multiple-hot-producers album acceptable to Real Heads????





From my 1990s vantage point out in the sticks, it seemed like before Illmatic all the underground rappers all had "their" sound and "their" crew, including "their" producer, and the idea of having a different producer on every track was considered the domain of wannabe-sellouts who were chasing a bunch of different audiences by getting tracks from whoever was hot at the moment. After Illmatic, though, that shit didn't seem like such a big deal. And of course now it's commonplace.





Was Illmatic in fact the pivot point for all that, or was I just projecting?




Sort of yeah, but sort of no, right?





I mean sure, Nas had Premier and Pete Rock and Q-Tip on there, but Large was his mentor (kind of) and L.G. was like, extended family from QB. And it's not like Large, Premo, Pete and Tip didn't know each other pretty well and (kind of) dig together and trade ideas, right?





So in a sense, you're right, but also, I think that's an idea that's rolled from a snowball to an avalanche - it's kind of a small thing, even though it seems like a big deal. It's not like he went out and got Clark Kent, DJ Quik, a bunch of other unrelated, random dudes.
 
i'm far from an expert and my opnion isn't probably relevant, but i'd say that it's accurate to say that.
 
james said:Is it accurate to say that Illmatic was largely responsible for making the multiple-hot-producers album acceptable to Real Heads????





From my 1990s vantage point out in the sticks, it seemed like before Illmatic all the underground rappers all had "their" sound and "their" crew, including "their" producer, and the idea of having a different producer on every track was considered the domain of wannabe-sellouts who were chasing a bunch of different audiences by getting tracks from whoever was hot at the moment. After Illmatic, though, that shit didn't seem like such a big deal. And of course now it's commonplace.





Was Illmatic in fact the pivot point for all that, or was I just projecting?




Good question.





I thought he had a significant street and industry buzz after snuffing Jesus.





So I dont know if his team consciously assembled the "hot" names or were there alot dudes trying to get down w/ the project.





Didnt Lord Finesse Funky Technician have Mike Smooth, Primo, and Diamond D taking turns?