An excerpt from
the Quietus interview with Nicolas Godin and Jean-Beno??t Dunckel of the French band AIR.
Quietus: Speaking of concepts, did you name your album Talkie Walkie after Gainsbourg's Le Talkie Walkie?
NG: Ahhh, I never thought... it is like that, you're right.
It's an early Serge composition.
NG: Yeah, back when he was a jazz musician.
Did it maybe slip in there somewhere from the back of your mind?
NG: Maybe, I don't know...
I've recently been getting into Serge's soundtrack work.
NG: Cannabis. It's very good.
JBD: With Jean Claude Vannier. It's tough for him.
NG: He gave so much to Histoire de Melody Nelson, and all the credit went to Serge Gainsbourg.
JBD: Jean Claude Vannier did so many things, and all people want to talk about is that all the time. There's this amazing record Brigitte Fontaine made with Jean Claude Vannier and you can really hear the spirit of Melody Nelson in it.
NG: It's called Brigitte Fontaine Est... and it's pretty bad ass.
JBD: The strings are so wild. They go out from the arrangements and the chords and they go somewhere else, and they make it very emotional. He has these sequences where it's very wild and the pressure builds until the entire music is breathing this new energy.
- spidey