What were your landmark / gateway LPs?

tabira

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Nov 18, 2009
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So what are the LPs that took you to the next level?

Got me into all jazz-related music in general - Crusaders Southern Comfort

Got me into Jazz-rock fusion in particuler - Joe Henderson Power to the People

Got me paying over 100$ on a single LP and seeing that as totally rational: AEOC Stances ?? Sophie
 
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At age 17, when I went off to college, my pops gave me this cassette.





It was a baptism of sorts for Jazz.
 
freshman year in college, I heard the title track and was blown away by the power in the drumming and the overall vibe...instant jazz fan after hearing this


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picked this up on a whim on cd when i was 12 because it was on sale. it opened my ears up to instrumental music and inspired me to want to play guitar.





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FOR JAZZ: to me, nothing beats Marcus Belgrave's Gemini ll lp. i just decided it is my favourite jazz record.


FOR HIP HOP: to me, Freestyle Fellowship's Innercity Griots was so influential on my young life.


FOR Soul: Al Green's I"m Still In Love With You just gets me, and my girl.


FOR FUNK: Meters S/T just hands down, the dopest shit.


FOR Rock: Can Ege Bamyasi just hands down, the dopest shit


FOR Pop: Michael Jackson Thriller: just goes to show an artist can be around for 12+ yrs, reform themselves over again, and influence the world (obviously with the right help: Quincy Jones) at the highest level possible.


FOR World/Latin or Afro: i'm gonna put Nico Gomez 'Ritual' as a beathead, it's just so thick and sounds so great. I just pulled it out again after a few years and it blew me away.
 
batmon said:
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At age 17, when I went off to college, my pops gave me this cassette.





It was a baptism of sorts for Jazz.




Strangely enough, when I first got into Thelonious Monk, this was the album I bought too (and I loved it).





Not that I was intentionally seeking this LP out, it just happened to be the one Monk record they had in the store that day.
 
This album here:
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was my gateway drug to Latin music, in the late eighties. It's an anthology called We Got Latin Soul, and was issued on Caliente, a subsidiary of Charly.





I wasn't really checking for this kind of music up to then, although I liked the occasional R&B/latin/jazz cut that I'd heard on dusties shows, like Mongo Santamaria's "Watermelon Man" and Joe Cuba's "Bang Bang."





But I didn't pursue it farther until somebody told me about this anthology, which contained "Bang Bang," plus a bunch of other Latin tracks with a soulful feel, from the vaults of the Tico and Fania labels.





Since that day in October 1988, I've been on the bandwagon (although Lord knows this stuff wasn't easy to find in Chicago for years).
 
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hearing a friend's older sister's copy of this (and specifially "the Message" by Cymande and "Scorpio"...) when i was 14 made me realize there was a whole world of funky stuff other than James Brown or Aretha...
 
pickwick33 said:This album here:
89197.jpg
was my gateway drug to Latin music, in the late eighties. It's an anthology called We Got Latin Soul, and was issued on Caliente, a subsidiary of Charly.





I wasn't really checking for this kind of music up to then, although I liked the occasional R&B/latin/jazz cut that I'd heard on dusties shows, like Mongo Santamaria's "Watermelon Man" and Joe Cuba's "Bang Bang."





But I didn't pursue it farther until somebody told me about this anthology, which contained "Bang Bang," plus a bunch of other Latin tracks with a soulful feel, from the vaults of the Tico and Fania labels.





Since that day in October 1988, I've been on the bandwagon (although Lord knows this stuff wasn't easy to find in Chicago for years).




Compilations were central to getting wind of stuff back in the late 80s in London when record stores and radio were a joke. Nothing pre 1979 was in print or broadcast unless it was by Paul Mccartney and Wings and had already seen a previous UK issue. I was picking up clues to all this mysterious US "rare groove" via obscure compilation LPs and pirate radio featuring music that had never even seen the light of day in the UK. I remember one comp, I think it was called "Focus on Fusion Vol I", that introduced me to Patrice Rushen Haw Rght Now, Johnny Hammond Les Conquistadores Chocolates and Rustry Bryant Friday Night Funk. It was like music from another planet .....
 
It's too many to mention but here are 3 that played a major part:


Pink Floyd - The Wall (My dads influence)


Miles Davis - Bitches Brew (My Grandfather's influence)


Kiss - Destroyer (My brother's influence)
 
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Bought it when it came out in 1980 because I liked The Breaks and couldn't find a copy of the 12" single. I saw all these unfamiliar names listed in the shout-outs, like DJ Run (Son Of Kurtis Blow), Lovebug Starski, Kool DJ Herc, Busy Bee and Grandmaster Flash. A few months later, I was in another record store and saw a bunch of records by this Grandmaster Flash dude and some group called the Furious 5. I remembered his name from the Kurtis Blow liner notes and thought, "OK, these must be rap records - I wonder if they're any good?" I copped them on spec. They were Freedom and The Birthday Party. I saw that Great Rap Hits compilation with Spoonin' Rap, Funk You Up and some other shit on it in the same rack. I thought, "Fuck it - in for a penny, in for a pound", so I went ahead and copped that too. Been listening to rap ever since.
 
Great topic.


Before I was ten:


Pete Seeger, Industrial Songs


Leadbelly Library of Congress





About 13:


Robert Johnson King Of Delta Blues Singers


Phil Ochs I Aint A Marchin Any More





About 15:


Mississippi John Hurt Essential


Elizabeth Cotten Negro Folk Songs


BB King Live At The Regal


Donovan Greatest Hits


Beatles Sgt Peppers, Abbey Road


Nitty Gritty Dirt Band Will The Circle BE Unbroken


2 lp gospel collection on Columbia from John Hammond Collection with Dorothy Love Coates





About 19:


Bob Wills - Anthology





About 23:


Meters, Cabbage Alley, Greatest on Island, Rejuvination


Wild Tchoupitoulas


Sam Cooke Hits


James Brown Golden Hits





^These are the records that really shaped my listening and that I absolutely wore out.





I came slowly to jazz. I entered through big band (Basie, Ellington) and vocalists (Holiday, Lambert Hendricks and Ross, Fitzgerald). And bluesy stuff (Timmons, Jimmy Smith, Joe Williams, Ramsey Lewis). Today I listen to any thing and everything and like most of it. For Be bop, straight ahead, free, avante... It was really listening to great performers live that was my landmark moments.





Dan