Electrode said:
He popularized Brazilian music internationally. Seeing his records constantly as I started to collect, I realized that the country isn't just poolside lounge but encompasses a rich heritage.
The only time I have seen him in person was when he was a presenter at one of those Jazz Is Dead shows years ago. His wife, Gracinha, even was there in the crowd, friendly with everyone. If all had his joyous demeanor, this planet would be better.
Thanks for everything Sergio.
I never knew John Beasley was with his band for 8 years at the start of John's career.
"I’ve been wandering around with this heaviness in my heart since I heard about Sergio’s passing. He was my first in many milestones in my career. I was 20 when i heard from his percussionist Ron Powell that he was looking for a synthesizer player. I went to his house for an audition and a week later we were shopping for a Roland Jupiter 8 synth.As a very young jazz musician, I had a jazz-centric knowledge of Brazlian music. Sergio gave me cassettes of Gilberto Gil, Edu Lobo , Djavan, Toninho Horta, Ivan Lins music to expand my listening. I fell deep into the abyss.
I was getting a fast-track PhD from the musicians in the 1978 band: Sebastiao Neto, Oscar-Castro Neves, John Pisano, Ron Powell, Gracinha Leporaca (his wife), Leza Miller, and later that year Dianne Reeves Music & Danny Embry joined us. On tour, we were playing music from what is still my favorite Sergio Mendes record that is very hard to find “Horizonte Aberto”Sergio gave me homework. Check this story out:
Sergio gave me Ivan Lins 70s era records along with a cassette tape of Ivan singing and playing piano in Sergio’s living room in Rio.
My homework was to transcribe several songs esp w/ the voicings. A few weeks later, I brought him the scores, but he waved the music away and said “These are not for me, kid. they are for you!” He was clever to make me transcribe this music so that I can learn Ivan Lins beautiful harmonies, voicings, and the nuances of Brazilian music.
A few years later, I had evolved into the de-facto music director. I was rehearsing the band. When he had a hit with “Never Let You Go” the music had evolved into more of a pop style. As band members moved on, I recommended Joey Heredia, Charles Meeks, Joe Pizzulo, Vinnie D’Onofrio, Kevyn Lettau, Kate Markowitz and was present at Siedah Garrett’s audition.They all became members. "
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