DOCUMENTARIES...

Huge documentary fan here, I wish I could go to the SIFF and see more. Some of my favorites in recent months:

I Like Killing Flies
Spellbound
10 mph
The Future Of Food
Helvetica
24 Hours On Craigslist

I would like to see:
King Corn


Sir! No Sir!


This Is Gary McFarland


Symbiopsychotaxiplasm Take One


Blood on the Flat Track: The Rise of the Rat City Rollergirls


What Would Jesus Buy?
 
My documentary game is weak, but I thought the Sierra Leone Refugee All-Stars DVD was pretty good.
 
All mentioned before I think, but yeah, Thin Blue Line, Titticut Follies, Hoop Dreams, and Style Wars cannot be fuked with.

Anyone remember the one done by a woman exposing the mining industry in the 70's? It took place in a certain southern town which was also the title of the movie. I remember that one was incredible, but can't remember many details or the title.
 
Shoah has to be in there. Also the BBC series The World at War and Life On Earth. Nick Broomfield's The Leader, His Driver And The Driver's Wife. Etre et Avoir is also fantastic.
 
Here are some I've watched/enjoyed recently.

(I did write some words to go with these pictures but the internet ate them when I tried to preview.)



They're in pairs.


They have similar subject matters, and benefit from the juxtaposition.



6303321046.01.LZZZZZZZ.jpg
NVG9508-03.jpg





devil_came_on_horseback_movie_poster.jpg
noendinsight_l200707181616.jpg





ttscover.jpg
95871264_b6e514f9e2.jpg
 
thanks for the suggestion. his movies look fascinating. I'm going to check out "dying at grace" first. are there any specific titles you would recommend?

I think Allan King is one of the greatest, like top five greatest, documentary filmmakers.
Get ready to cry your eyes out.

Grace is definitely one I would suggest and these:

Warrendale, A Married Couple, Memory, EmpZ 4 Life

Empz 4 Life(synopsis from Toronto Int'l Film Fest)
A bullet blasts a hole in a family's front window - the target was their son. A tireless community leader tries to get through to him. "They are trying to kill you. Did you see your mother's face? This can only end two ways." Allan King, master of the documentary form and pioneer of cin??ma-v??rit??, turns his attention to the high-risk young men from Toronto's suburbs, and to the forceful and committed individuals fighting to safeguard their futures.

Brian Henry is a volunteer for HOOD-LINC, a youth agency. He is tough on the kids themselves and relentless on their behalf. "You are succeeding at keeping the black race in prison," he bluntly says to one. Though often confronted with their pose of defensive impenetrability, it is impossible for him to stop trying. He unremittingly lobbies the educational system and in return is accused of acting in self-interest. "I've met more honourable people in prison," he says, alluding to a past that still defines him.

His dedication is echoed by that of mathematician and writer John Mighton, who volunteers in the same community. Mighton's math classes are as much about building confidence as they are about numeracy. As his students surpass goals once thought impossible, they are bashful in the face of their own achievement.

The tireless commitment of the film's protagonists is matched by King's own. His trademark depth of vision is fully present here as he thoughtfully observes these young men. Without narration or interview, King allows the eloquence of his subjects' actions to reveal the complexity of this world with an immediacy and urgency that is characteristically immersive. This is a relevant and profound offering from a giant of Canadian cinema.

The summer of 2005 was branded in the press as Toronto's "Summer of the Gun," and much of the attention centred on these neighbourhoods. EMPz 4 Life is a respectful exploration of a community often simplified by the purple prose of daily headlines.

__________________________

I worked on documentaries for a long time, but never with King. I know a lot of his regular crew and he is apparently great to work with, which I think is important.
I still have mixed feelings about docs and don't know how if I will ever feel comfortable with the exploitative nature of them. Different directors/films and styles will have varying degrees of that, but it's always there in one way or another. It's sometimes hard for me to get over that.
He is one the best verite directors - I think his respect for the people in his films shows.
 
The Take

from http://www.imdb.com/title/tt0426596/

In suburban Buenos Aires, thirty unemployed auto-parts workers walk into their idle factory, roll out sleeping mats and refuse to leave. All they want is to re-start the silent machines. But this simple act - the take - has the power to turn the globalization debate on its head. Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale. With The Take, director Avi Lewis, one of Canada's most outspoken journalists, and writer Naomi Klein, author of the international bestseller No Logo, champion a radical economic manifesto for the 21st century
 
I'm surprised no one has mentioned Born Into Brothels. That was a great doc.


I also ride for a couple most people on here haven't seen because it deals with Drum n Bass but Talking Headz the Metalheadz documentary and also Concentric Beats a doc on stateside drum n bass.
 
^^so good^^

my faves

The Fog of War
Born into Brothels
The End of the Century
The Filth and the Fury
A Decade Under the Influence
Hell House
When We Were Kings
The Power of Nightmares
Harlan County
The Gleaners and I
Burden of Dreams
Little Dieter Needs to Fly
A Constant Forge
The Five Obstructions
The Kids are Alright
We Jam Econo
 
Saw a screening earlier this week of Chicago 10, an interesting doc about the group that organized and was subsequently tried for inciting a riot at the 1968 Democratic National Convention.

The film featured some of the most
melt.gif
footage of the riot I have ever seen. It also used court transcripts and animation for the retelling of the trial. It was a great way to tell that story but at the same time, I didn't really like the animation itself. The movie also used a few contemporary songs by the Beastie Boys, Rage Against the Machine and, worst of all, Eminem.

It's directed by the same dude who did The Kid Stays in the Picture, which I loved. This one, while worth a viewing, could have been better.

Aside from the tepid animation, I also really couldn't get with the outlandish "yippie" dudes like Abbie Hoffman. They just seemed so juvenile.
 
Harlan County, USA
http://www.imdb.com/title/tt0074605/

all-time favorite.
also american dream.

surprised no one has mentioned devil & daniel johnstone (maybe it's too obvious, since i haven't heard of or seen about 3/4ths of the ones mentioned in this thread).

stevie (by the guy that did hoop dreams)

crumb is my favorite.

hearts & minds i second too. plus frank sinatra slammed it at the oscars when it won best doc.

born into brothels is good. so is roger & me.