I think arguing the merits of B's music here is pretty pointless; nobody's gonna change their minds. If you find him engaging/endearing, then you probably like some of his stuff, if you are in the "dude can't rap" camp then you don't.
I am/was a fan, although I think he's fallen off - bad. But I think he's a pretty logical progression of Berkeley's rap scene. Another thread for another time, perhaps.
...
I like the Rocky tape. I am pretty disconnected from blog/industry hype at this point... I am happy to enjoy shit on the merits, most of the crit I've read has to do with whether or not the industry reaction was warranted and I could care less about that. My .02: the shit jams. Is there that much more to it? His delivery is decent, the beats are extremely well-chosen and the tape has a good continuity that is lacking from less produced efforts; I dig the whole "bring your crew along" ethic, despite the obvious pitfalls of such an approach, and he's repping a certain perspective from around my way that is novel to these ears. These young kids grew up on Max B, Cam, Bone, No Limit, Mike Jones/Paul Wall, etc... he takes from all that non-NY stuff but manages to still keep it Harlem. I hear "Peso" a lot around the way... not sure how much love the kid gets beyond that, though he's certainly repping his block/set to a fault.
There's a couple sequences - from "Peso" through "Wassup" and from "Trilla" through "Kissin Pink" that I think are positively inspired. The slowed sax sample on "Keep It G" is beyond great, I just wish it wasn't hosting such subpar verses. ASAP Ferg's verse on "Kissin Pink" is the best shit I've heard all year (not really, but kind of)
alright that's it peace