Dudes who listen to The Fall

SP 1200 said:Unsurprisingly Mark E Smith was never particularly gracious about Pavement "paying homage" to them.




Hahaha. The last time I saw The Fall maybe 10 years ago, Mark E. Smith yelled "I DONT CARE IF IT'S ME AND YOUR GRANDMA, ITS STILL THE FALL"





what a lil curmudgeon
 
MES autobiography is hilariously great from start to finish. I ride with everything on 45 and LP up to Hex Enduction as are the ones I bought as they came out. Slates hasn't been mentioned? PINK PROLE THREAT!





Does the content translate outside the north of England, it's very of its time and place? (Genuine question)





(Just realised my avatar...)
 
Recently been listening to (Martin Bramahs) Blue Orchids 'the greatest hit' LP after decades, a fine fall-related album
 
soulcitizen said:MES autobiography is hilariously great from start to finish. I ride with everything on 45 and LP up to Hex Enduction as are the ones I bought as they came out. Slates hasn't been mentioned? PINK PROLE THREAT!





Does the content translate outside the north of England, it's very of its time and place? (Genuine question)





(Just realised my avatar...)




It's a good read, just found it in a cupboard yesterday looking for old Iceberg Slim/Payback Press books. Must return it to my mate.





I'm friends with a guy that was the lead guitarist in the late 90's (designed the artwork for Levitate). There's youtube footage of the infamous NYC 1998 gig with him punching MES onstage (bit of a girly punch tbh) before MES got sent to Rikers but was never an inmate I think.
 
So with 20+ studio albums, what are the live shows like? One song from each LP, or do some just get ignored?
 
soulcitizen said:Does the content translate outside the north of England, it's very of its time and place? (Genuine question)




No, it really doesn't.





But it doesn't matter to me. I don't care what the lyrics mean. It's not relevant to the appeal of the band.
 
Scott said:So with 20+ studio albums, what are the live shows like? One song from each LP, or do some just get ignored?




when I saw him it was a lot of material from the latest release.
 
SP 1200 said:They usually tour when there's a new album out.




So, all the time? Then they record the tour, put out a live album and tour again.
 
LazarusOblong said:soulcitizen said:Does the content translate outside the north of England, it's very of its time and place? (Genuine question)




No, it really doesn't.





But it doesn't matter to me. I don't care what the lyrics mean. It's not relevant to the appeal of the band.




Ok, that's strange to me as their entire appeal is the lyrics and identifying with what MES is saying. Great original lyricist above all else IMO


Glad you find what you find but I guess I'll always be confused how they had any popularity outside their 'environment' (glad they have)
 
soulcitizen said:LazarusOblong said:soulcitizen said:Does the content translate outside the north of England, it's very of its time and place? (Genuine question)




No, it really doesn't.





But it doesn't matter to me. I don't care what the lyrics mean. It's not relevant to the appeal of the band.




Ok, that's strange to me as their entire appeal is the lyrics and identifying with what MES is saying. Great original lyricist above all else IMO


Glad you find what you find but I guess I'll always be confused how they had any popularity outside their 'environment' (glad they have)




I didn't know what "Rowche Rumble" was all about until years after I'd first heard it, but I always thought it was a great song, if that helps any.





I think there's a reason Mark E. Smith doesn't include lyrics with his albums.





Maybe this will help:





http://thequietus.com/articles/03925-the-fall-and-mark-e-smith-as-a-narrative-lyric-writer
 
This site is your friend when it comes to Fall lyrics: http://annotatedfall.doomby.com/





And The Fall Online have threads on best albums, advice for people wanting to know where to start etc:


http://z1.invisionfree.com/thefall/index.php?





Me, I always tell people to start with the most recent one, then Hex, then any three at random so long as they are at least 4 years apart. And then just get them all.
 
LazarusOblong said:soulcitizen said:Does the content translate outside the north of England, it's very of its time and place? (Genuine question)




No, it really doesn't.





But it doesn't matter to me. I don't care what the lyrics mean. It's not relevant to the appeal of the band.




I don't agree with this at all. There is an element of Salford-specificity, especially maybe early on. But it's not remotely true of The Fall's output as a whole. And even where the lyrical inspiration is Northern, he most often writes cryptically and in cut-up fashion, which means the songs can be universalised. Perhaps when The Fall started out they had the aim of reflecting their own local experience, but MES rapidly outgrew that. You know, although he always returns to Prestwich, he's lived in the States, and in Edinburgh, and has had an American wife while his current wife is Greek via Germany. You can't accuse him of parochialism!





Many of the songs are about or mainly concerned with London, like Deer Park. And there is also Edinburgh Man, which is self-explanatory.





There are songs about other countries, like Iceland.





There are songs concerned with the U.S, like Chicago, Now!, L.A., Pittsville Direkt, The Steak Place.
 
Scott said:So with 20+ studio albums, what are the live shows like? One song from each LP, or do some just get ignored?




Well, the songs played at their most recent gig were (with first release date):





Victrola Time (2012)


Hungry Freaks, Daddy [Frank Zappa & The Mother of Invention cover, from Freak Out, 1966. First (live) appearance on record by The Fall, 2006]


Wolf Kidult Man (2008)


I've Been Duped (2008)


Strychnine [Sonics cover. First covered live 1992, first appearance on live album, 1995]


Mister Rode (2013)


Remainderer (2013)


White Lightning [Big Bopper cover, first recorded release 1990]


Cowboy George (2010)


Amorator! (2013)


Theme From Sparta F.C. (2003)
 
dannyno said:LazarusOblong said:soulcitizen said:Does the content translate outside the north of England, it's very of its time and place? (Genuine question)




No, it really doesn't.





But it doesn't matter to me. I don't care what the lyrics mean. It's not relevant to the appeal of the band.




I don't agree with this at all. There is an element of Salford-specificity, especially maybe early on. But it's not remotely true of The Fall's output as a whole. And even where the lyrical inspiration is Northern, he most often writes cryptically and in cut-up fashion, which means the songs can be universalised. Perhaps when The Fall started out they had the aim of reflecting their own local experience, but MES rapidly outgrew that. You know, although he always returns to Prestwich, he's lived in the States, and in Edinburgh, and has had an American wife while his current wife is Greek via Germany. You can't accuse him of parochialism!





Many of the songs are about or mainly concerned with London, like Deer Park. And there is also Edinburgh Man, which is self-explanatory.





There are songs about other countries, like Iceland.





There are songs concerned with the U.S, like Chicago, Now!, L.A., Pittsville Direkt, The Steak Place.




Yeah, okay. See post #30 in the thread, where I sort of backtracked on that earlier post. I like your cutup/universalized insight.





Smith wrote some songs which are totally clear - take "How I Wrote Plastic Man," for instance, one of his best - but that cutup process definitely allows listeners to enjoy Fall songs without being in on the underlying meaning.





I THINK this song is about an addict dying before Christmas, but maybe not:





No Christmas for John Quays


Come on get a bit of fucking guts into it


What what


Well the powders reach you


And the powders teach you


But when you find they can't reach you


There is no Christmas for junky


He thinks he is


More interesting


Than the world


Ah but five fags


Puts him in a whirl


I'll have a packet of three-five fives


You fucking [full of money] or something for Christ's sake?


I'll have a packet of three-five fives


I'll have 20 of those over there


I'll have 20 No.6 for a headache


And I've had enough right there, stop


(Why is this)


Ah Ah Ah Ah Ah


He spits in the sky


It falls in his eye


And then he gets to sitting


Talking to his kitten


Talking about Frankie Lymon


Tell me why is it so?


Tell me why is it so?


Why did the sky break today?


Why did this happen today?


He gets out of his face with the Idle Race


He gets out of the room with this tune


Although the skins are thin


He knows its up to him


To go out or stay in


I'll stay in


I'll stay in


Have a break


You


Me


X-Mas


X-Mas


Well the powders reach you


And the powders teach you


But when you find they can't reach you


There is no Christmas for junky


There is no girls


Just the traffic passing by


Bye bye bye bye bye bye bye bye


Open the room, there's a cloud of smoke


Will you fucking get it together instead of showing off?


Give me one


Give me B


Give me three


Give me D


No X-mas for John Quays