Arnold Dreyblatt & Megafaun's Appalachian Excitation. It's got four pieces--one dirgey thing, one droney thing, one groove-based thing, and one thing that sounds like country Television--and apart from the hippie dishwater liner notes from the ubiquitous Jim O' Rourke, I'm liking it all. It really seems to be in touch with something, if you know what I mean. Maaaaan.
I also really like the Darkside Psychic record. It's become fashionable to drop late-period Talk Talk as a reference, but a lot of the records tagged thusly--Shearwater, These New Puritans, whoever--mostly miss Talk Talk's commitment to a particularly modern pulse; those groups get caught up in the hush and the space and the stately piano chords, and end up spending long stretches rattling dully in their chambered preciousness. I feel like Psychic is a much more successful, compelling, and truer extension of that sound.
Not real-real new, but I like what I've heard from the Eric Copeland record. Sounds kinda like Arca for people who don't go out, which is a pretty good fit for my lifestyle. I haven't heard the whole thing yet, though. I probably oughta do that.