NOZ SPEAKS THE TRUTH

Someone from a country that doesn't matter writes;

a number one record (even in a country that doesn???t matter)
It's a number one record because it's a good song. I think noz makes a lot of good points, but too many of them seem to be at the expense of the people most likely to buy/like/sing the praises of the Gnarls album. For what it's worth, I think it's OK, but I don't share noz's assessment that it's been focus-grouped for ad agencies and such like - it just sounds like two musicians doing what they feel like. Besides, as I said in the other Gnarls thread, a) it's not a rap/hip-hop record anyway and b) the kind of people who bought Moby's "Play" are its most likely audience, which begs the question; why act like it's taking sales/shine from, say, E-40 or T.I.? There's a long and illustrious history of writers and consumers alike refusing to accept rap music on its own terms but, by the same token, there's a similar history of rap writers and consumers turning on those acts who decide they want to expand their musical horizons a little. I couldn't care less for either group, personally, but it is interesting to note that ascetic purists now seem to come both with and without backpacks. Either way, the single's sold nearly half-a-million in the UK [good job the royalty checks count, even if the country doesn't ], and the album will probably follow suit, both here and elsewhere. Good luck to those of you who won't have to work hard to avoid it.
underrated post.
 
At this point, I'm only picking up the confused brown aura of your work.
might that be a cue for you to get off my dick?
...and tell his bitch to come here?
What
Would
Ice Cube
Do?
 
At this point, I'm only picking up the confused brown aura of your work.
might that be a cue for you to get off my dick?

Wait....

Does this imply that you have been fucking him in the ass?


Confused on whether or not to insert "ayo".....


Anyways, I think sometimes HJ plays "hipster" music. She played death cab for cutie last night. It was in the other room, but from where I was (in the living room watching The Hills Have Eyes video camera bootleg on the laptop with my headphones on) it sounded OK to me.


Also, for those who don't care for Gnarls but are interested in something different, I highly reccemend this:

B0000041N7.01._AA130_SCMZZZZZZZ_.jpg



I've been bumpin it in the whip a lot lately.....
 
Gnarls Barkley=Not black enough for a white kid from the jersey suburbs.

but I agree with what you said, especially with Dangermous being a mediocre producer (at best).

but yo.

from a country that doesn't matter
typical selfish american attitude. a real good look for you.
 
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DJ Enuff has been playing Gnarls' "Crazy" pretty enthusiastically for the past week or two during his drive-time mixshow on Hot 97 in NYC - rewinds, airhorns, etc.
 
A colorful & entertaining piece of writing.

more than a touch of 'Dylan goes electric' Judas-calling for sure.

the underlying belief that hip-hop is the be-all & end-all of music is charmingly naive.

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and now a word from the future savior of raps...


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Total clarity.
 
Marco, I'm assuming your posts in this thread are meant to put some distance between yourself now and the you that created a magazine that seemed to have a good chunk devoted to rampant hatteration?
That's not the sole purpose of my posts, but yes, I will admit that Marco of 2006 is somewhat different than the Mark D of 1994. What can I say. You got me.
smirk.gif

YOUTHFUL ZINEWANKERY REVEALED
This was a real magazine that cost money though, with a nice layout. Quality read, too.
 
Marco, I'm assuming your posts in this thread are meant to put some distance between yourself now and the you that created a magazine that seemed to have a good chunk devoted to rampant hatteration?
That's not the sole purpose of my posts, but yes, I will admit that Marco of 2006 is somewhat different than the Mark D of 1994. What can I say. You got me.
smirk.gif

YOUTHFUL ZINEWANKERY REVEALED
This was a real magazine that cost money though, with a nice layout. Quality read, too.
Yngwie Malmsteen's albums cost money and had "nice" layouts too, but I'd still call them wankery

wink.gif


j/k I'm sure it was very well done and angry.
 
Marco, I'm assuming your posts in this thread are meant to put some distance between yourself now and the you that created a magazine that seemed to have a good chunk devoted to rampant hatteration?
That's not the sole purpose of my posts, but yes, I will admit that Marco of 2006 is somewhat different than the Mark D of 1994. What can I say. You got me.
smirk.gif

YOUTHFUL ZINEWANKERY REVEALED
This was a real magazine that cost money though, with a nice layout. Quality read, too.
Yngwie Malmsteen's albums cost money and had "nice" layouts too, but I'd still call them wankery

wink.gif


j/k I'm sure it was very well done and angry.
I think we need to see some scans.
 
I think we need to see some scans.
In 1994 while most of you were doing your 6th grade homework, I was publishing this magazine for the sole purpose of being clowned about it on SoulStrut 12 years later. Cheers!

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Polvo & Shocking Blue interviews.


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Thee Hypnotics and SciFi author Lewis Shiner interviews.


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Blonde Redhead and animal rights feminist Carol Adams interviews, Fran??oise Hardy appreciation.


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Interviews with Chrome Cranks, Royal Trux, two Sonic Youth drummers, DJ Hurricane, graphic designer Art Chantry, Guided By Voices, Love 666, Big Chief, and Mule. Arthur Lee tour diary by drummer Lyle Hysen.

There was indeed a lot of hatteration within its pages as DigDug indicated, directed mostly at the Pavement & Sebadoh soundalikes prevalent at the time. There were not, however, any 10+ paragraph diatribes against any one artist. Instead I would shoot off a condescending one-sentence zinger at the offending musical item, then moved on to talking about something that made me look cool.
































b/w

DON'T TET MY HIPSTER GANGSTA
 
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Interviews with Chrome Cranks, Royal Trux, two Sonic Youth drummers, DJ Hurricane, graphic designer Art Chantry, Guided By Voices, Love 666, Big Chief, and Mule. Arthur Lee tour diary by drummer Lyle Hysen.

Hey! I had this issue. I think I bought it for the Art Chantry stuff and the article by Lyle Hysen (my brother was in a band with Lyle).

Great design!
 
Chrome Cranks

so good and sexy and dirty!
That's awesome you've even heard of those dudes! They were definitely my favorites at the time (still are) - just such an incredible live band and their records, especially their first LP - were not only gritty but catchy & noir-like. That last issue of my magazine included a live Cranks 45, and they stayed at our house all three times they played down here. Peter the singer was even indirectly responsible for my starting to DJ, as he took me to Frank Roth's VAMPYROS LESBOS party in NYC in 1998 which put the idea in my head that a club night could actually have good music.

All them Cranks dudes were really nice and I still keep in touch with Peter; talked with him just the other month in fact.
 
I'm totally disconnected from the blogmyspacosphere, so I don't know anything about the apparent hype, and I'm perfectly comfortable that way. I've only heard "Crazy" and "Smiley Faces" which I found to be good songs. They didn't make me cream my pants, but they're good songs nonetheless. I could imagine that the rest of the album might be
ehh.gif
, but I'll wait on passing judgement until I've actually heard it, because I am a mere mortal without the E.S.P. (Extra Salty Preconception) that comes with +10000 posts on a message board.

And kill all that hipster talk already. I've seen the mug shots and party pics and I'd say there's a fair share of individuals on here who fit the description.

Blogwriting webdesigning bowlcut emofos
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pcat4.gif


Interviews with Chrome Cranks, Royal Trux, two Sonic Youth drummers, DJ Hurricane, graphic designer Art Chantry, Guided By Voices, Love 666, Big Chief, and Mule. Arthur Lee tour diary by drummer Lyle Hysen.

Hey! I had this issue. I think I bought it for the Art Chantry stuff and the article by Lyle Hysen (my brother was in a band with Lyle).

Great design!
May I say that amongst 'Garage Rock' types (for lack of a better descriptor) like F16, SoulMarcossa and myself, 'hatting' was a bit of a way of life in the early 90s! It came with the territory of roaming a completely different musical and cultural landscape than what was widely enjoyed or even accepted by the mainstream at the time. What was even more fun was hating 'within the scene'! I mean, it's what makes any scene fun! Nothing motivates people to do better than their inner "Oh Yeah?!"

So people need to loose their inner cranks and produce some negative commentary about the state of things! Seriously, Noz's shit in this thread and the "Talib Kweli Diaper Rash" thread are the most fun I have had on this site in a looooong time. but then again, my double time flowz are pretty wack. But I do have an album!