mannybolone said:TNG said:We're using black in a more general sense here, leaning heavier on the political undercurrents running through soul and R&B. A lot of time was spent pondering and researching this concept, and no other album came even close in 1969. .
Thanks for chiming in here.
As noted above, if the claim is that Syl's LP preceded any other explicitly political R&B album, I think there's a solid case to be made there and it certainly challenges the conventional wisdom that Gaye was the first to go there. But if we really are talking about 'black in a more general sense' (i.e. outside of R&B), then I think you'd have several contenders for a pre-1970, black concept album, including the three I noted above, plus the "Last Poets" debut album on Douglas 3 (1969). Again, none of these are ostensibly "soul" albums however (though, knowing Melvin Van Peebles, he'd argue "Brer Soul" was).
I'm just being nitpicky about this; not a big deal at all but the claim did jump out at me when I read it
Lots of pre-1970s jazz entries--Max Roach's We Insist! Freedom Now Suite was released a decade earlier, for example. In fact, I recall reading that Marvin Gaye credited a number of jazz artists as his inspiration to do a conceptual song cycle in What's Going On.