ENKI Calls Out Wack Opening DJs

discos_alma

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http://blogs.sfweekly.com/shookdown/2011/03/how_to_be_an_opening_dj_by_oak.php

1. Don't play a bunch of obvious hits early in the night. First of all, it's lazy selection to do that, and lazy selection is the hallmark of a poor DJ. Besides, the opening slot is the best time to be an adventurous selector (more on that below). Beyond that, you may be taking arrows out of the headliner's quiver. Yes, everybody loves that hot new cut that's tearing up the clubs. So then why waste it by playing it so early in the night? Leave it unplayed and let the headliner get to it at just the right moment where instead of liking the song, the crowd goes berserk for it. Understand that the headliner is going to be starting where you leave off, so if you're already running a bunch of sure-shots, where is the headliner supposed to go from there? Build the energy up slowly.

2. Play the appropriate music. My friend's opening DJ was playing shrieky, fist-pumpy techno before the clock had even struck 11 p.m. My friend -- not a shrieky, fist-pumpy techno DJ by any stretch -- kept wondering, "Why doesn't he play some Tribe Called Quest? Some James Brown? Get people loose like that?" And fortunately, the relief opener did just that, but that first DJ failed to tailor his selection appropriately, and the party suffered for it.In this day and age, there's no excuse for not doing your homework on who the headliner is when things like Google and YouTube are right there at your fingertips. Learn about who you're opening for and adapt your set to the headliner's vibe. Versatility is the calling card of a quality DJ! A good opener should have some familiarity with the headliner and should be able to play a set that will allow for as seamless a transition from opener to headliner as possible. (Side note: Promoters bear some responsibility here as well, as they need to pick opening acts who are appropriate for the headliner. Don't just put your homie on, promoters -- put on the guy who's qualified to do the job!)

3. On the subject of versatility, treat the opening spot as an opportunity to showcase the depth of your knowledge and your music collection. Take the chance to play some great, obscure tunes that you probably couldn't play to a packed, enthusiastic dance floor. To me, that's one of the joys of being the opening DJ: You get to nerd out over music in front of a crowd and throw on those lesser-known cuts that you really love. Embrace that opportunity!

If you do your job and do it well, you will get noticed. The headliner will be much more likely to shout you out on the mic -- "Give it up for my man DJ Blahdy-blah, he did his thing earlier!" And the promoter will notice, believe me, which can only work to your benefit. If you prove that you're a capable professional, you will get put on, and the more you get put on, the easier it will be for you to be the headliner down the road.
 
musica said:http://blogs.sfweekly.com/shookdown/2011/03/how_to_be_an_opening_dj_by_oak.php





! A good opener should have some familiarity with the headliner and should be able to play a set that will allow for as seamless a transition from opener to headliner as possible.




I appreciate an opening act that is in contrast to the headliner. Headlinerlite aint making it.
 
4. Don't even take a job doing a hip-hop slot if TROY, 3 Biggie songs, and Scenario are all you plan to play.
 
LaserWolf said:musica said:http://blogs.sfweekly.com/shookdown/2011/03/how_to_be_an_opening_dj_by_oak.php





! A good opener should have some familiarity with the headliner and should be able to play a set that will allow for as seamless a transition from opener to headliner as possible.




I appreciate an opening act that is in contrast to the headliner. Headlinerlite aint making it.




I don't think he meant it as headliner-lite.





One can still play a contrast set that works within the mood of the whole night.





If the headliner plays house and disco, you can start off the night with rare groove and hip-hop.





If the headliner is going to play hard Southern rap all night, you can lead off with a miami bass/80s hip-hop set.





There are tons of examples where you can play a contrast set that doesn't get into the territory described in the article.
 
HarveyCanal said:4. Don't even take a job doing a hip-hop slot of TROY, 3 Biggie songs, and Scenario are all you plan to play.




:bingbangboom:





And don't play "The Choice Is Yours." Just...don't.
 
hermes1 said:LaserWolf said:musica said:http://blogs.sfweekly.com/shookdown/2011/03/how_to_be_an_opening_dj_by_oak.php





! A good opener should have some familiarity with the headliner and should be able to play a set that will allow for as seamless a transition from opener to headliner as possible.




I appreciate an opening act that is in contrast to the headliner. Headlinerlite aint making it.




I don't think he meant it as headliner-lite.





One can still play a contrast set that works within the mood of the whole night.





If the headliner plays house and disco, you can start off the night with rare groove and hip-hop.





If the headliner is going to play hard Southern rap all night, you can lead off with a miami bass/80s hip-hop set.





There are tons of examples where you can play a contrast set that doesn't get into the territory described in the article.




This.





I didn't mean that the opener should be headliner-lite, though in looking back over the post, I can see how it would read that way, so that's bad phrasing on my part. Even editors need editors!
 
1. Don't play a bunch of obvious hits early in the night. First of all, it's lazy selection to do that, and lazy selection is the hallmark of a poor DJ.




yeah! save that lazy selection for a headliner!





playing other people's music can be so complex.
 
DJ_Enki said:HarveyCanal said:4. Don't even take a job doing a hip-hop slot of TROY, 3 Biggie songs, and Scenario are all you plan to play.




:bingbangboom:





And don't play "The Choice Is Yours." Just...don't.




co-sign.jpg
 
JimBeam said:
1. Don't play a bunch of obvious hits early in the night. First of all, it's lazy selection to do that, and lazy selection is the hallmark of a poor DJ.




yeah! save that lazy selection for a headliner!





playing other people's music can be so complex.




If "playing other people's music" was all that DJing involved, I could step in for someone like Tiesto at one of his stadium gigs in Uruguay or wherever, and just play "other people's music", and nobody would mind, right? As long as they're getting a DJ who's "playing other people's music" - because that's all a DJ is, after all - then what would they have to complain about?
 
DJ_Enki said:HarveyCanal said:4. Don't even take a job doing a hip-hop slot of TROY, 3 Biggie songs, and Scenario are all you plan to play.




:bingbangboom:





And don't play "The Choice Is Yours." Just...don't.




Why not? I mean, why this particular one?
 
cause its part of the really annoying, super obvious hip hop canon set you hear all the time at hip hop shows that starts with NWA express yourself, House Of Pain - Jump Around.. arrrrrgh.





good advice there, definitely fucked this one up a few times. NEVER PLAY SONGS BY THE ACT YOU ARE SUPPORTING. (probably obvious but everyone falls foul of this!).
 
Ulysses31nicholas said:cause its part of the really annoying, super obvious hip hop canon set you hear all the time at hip hop shows that starts with NWA express yourself, House Of Pain - Jump Around.. arrrrrgh.




Last time I saw The Roots in London, I could count the number of songs the DJ played that were less than 10 years old on the fingers of one hand.
 
Ulysses31nicholas said:cause its part of the really annoying, super obvious hip hop canon set you hear all the time at hip hop shows that starts with NWA express yourself, House Of Pain - Jump Around.. arrrrrgh.





good advice there, definitely fucked this one up a few times. NEVER PLAY SONGS BY THE ACT YOU ARE SUPPORTING. (probably obvious but everyone falls foul of this!).




OK, that's what I figured was meant, I just wasn't sure why that one particular song was singled out. But sure, its one in a long list of overplayed stuff.
 
its a particular phenomenon of the hip hop show which is a fundamental part of the decaying appeal of the hip hop show (along with OKAY WHEN I SAY HIP, YOU SAY.. PUT 2 FINGERS IN THE AIR FOR PROOF 2PAC BIGGIE [delete as appropriate] MAKE SOME NOISE IF YOU LOVE HIP HOP etc) although it might have been fun the first 25 times you experience it. maybe.
 
Really, a set of rules made to show respect to the headliner? Blaming the failure of a night on the opener? If you are the headliner and you are as bad ass as you think you are because, well you are headlining then it doesn't matter if your opener played obscure 19th century chamber music mixed with hair metal...you are the headliner, you should be able to rock it. No excuses. You can't whine that the opener ruined the night, you are the headliner, the fault lies with you if it was a wack night.





Imagine these silly rules being professed for opening bands...as if a headlining band could blame the opening band for a lame show. If you can't take the night where you want it to go, then you are a shitty band. Same with DJs. Dint go blaming your failures on the support act(s).
 
fuck rules.


Burn the house down.


Headliner should be pooping his pants when you're done.
 
The_Hook_Up said:Really, a set of rules made to show respect to the headliner? Blaming the failure of a night on the opener? If you are the headliner and you are as bad ass as you think you are because, well you are headlining then it doesn't matter if your opener played obscure 19th century chamber music mixed with hair metal...you are the headliner, you should be able to rock it. No excuses. You can't whine that the opener ruined the night, you are the headliner, the fault lies with you if it was a wack night.





Imagine these silly rules being professed for opening bands...as if a headlining band could blame the opening band for a lame show. If you can't take the night where you want it to go, then you are a shitty band. Same with DJs. Dint go blaming your failures on the support act(s).




This.
 
The_Hook_Up said:Really, a set of rules made to show respect to the headliner? Blaming the failure of a night on the opener? If you are the headliner and you are as bad ass as you think you are because, well you are headlining then it doesn't matter if your opener played obscure 19th century chamber music mixed with hair metal...you are the headliner, you should be able to rock it. No excuses. You can't whine that the opener ruined the night, you are the headliner, the fault lies with you if it was a wack night.





Imagine these silly rules being professed for opening bands...as if a headlining band could blame the opening band for a lame show. If you can't take the night where you want it to go, then you are a shitty band. Same with DJs. Dint go blaming your failures on the support act(s).

go/gc