current film strut

Frank said:





Anybody watched this one yet? For sure demands a repeat viewing... phew...


I don’t think I can watch movies that are “brutal” anymore. I love comedic gore but that’s about it. But movies that ate just downers I can’t watch anymore. I went through a phase where I was curious so I watched movies like A Serbian Film, irreversible, murder set pieces, etc. but none of it did anything for me. I crave a good horror movie once in a while but it’s so rare to watch something I actually enjoy. I think I might just be too old...?
 
I don’t think I can watch movies that are “brutal” anymore. I love comedic gore but that’s about it. But movies that ate just downers I can’t watch anymore. I went through a phase where I was curious so I watched movies like A Serbian Film, irreversible, murder set pieces, etc. but none of it did anything for me. I crave a good horror movie once in a while but it’s so rare to watch something I actually enjoy. I think I might just be too old...?



I feel very similar. By the time Irreversible came out I was already way past my "have to watch everything that's extreme" phase; I skipped through most of the rape scene that in my opinion couldn't have added anything to any movie and then soon lost interest and switched dvds. What little I gathered from it, Irreversible is a fake arthouse exploitation movie that pretends to be about futile, literally mis-directed and impotent male revenge dishing out similarly blind rage and violence as the perpetrator, yawn, what else is new? Serbian Film, which came out 8 years later, I ended up watching in full

simply to be able and voice the informed opinion that this was

pubescent, pretentious garbage with shit effects and a predictable,

pointless "story". The only shocking thing was that there were some

idiots out there who took this limp provocation attempt serious.Violation is an entirely different movie, written and directed by two women and even though it's a grueling watch for some sequences it's as much of a character study as a realistic depiction of what it takes for and maybe takes away from a person to follow the urge of deadly revenge. There's disturbing violence but very little "gore" given the subject matter.Maybe check out this short and fitting review with no spoilers:

 
dizzybull said:



Frank said:





Anybody watched this one yet? For sure demands a repeat viewing... phew...


I don’t think I can watch movies that are “brutal” anymore. I love comedic gore but that’s about it. But movies that ate just downers I can’t watch anymore. I went through a phase where I was curious so I watched movies like A Serbian Film, irreversible, murder set pieces, etc. but none of it did anything for me. I crave a good horror movie once in a while but it’s so rare to watch something I actually enjoy. I think I might just be too old...?



I am the same. I guess when you have a lot of demands on your time with the "Complete catastrophe" of Mortgage, wife and kids, your leisure time is probably best invested in not feeling like your eyes have been shat in. I can remember a load of darker stuff with a circle of friends who all kind of wanted to out-do each other (I wonder why we were all single...) but I wouldn't pay good money to see such at the cinema now.

Real life presents enough of this shit to deal with.
 
Full Doc on Amazon Prime if you have it. This you tube is just a long promo for it. Great stuff even if you don't know them.

 
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ketan said:



Frank said:

I watched these two over the past couple of days and hugely enjoyed them both:


Possessor was a recommendation by MarcoFunk. I think I have to re-watch both.




i've been wanting to see both of those. thanks for the encouragement.


Saw Possessor on the weekend - great acting, bizarre concepts, thoughtful enough, and about as bloody as I care to watch these days. Very original and yet, clearly owes a debt to his father and Inception. The ending left me unsettled.
Anyone seen his first one, Antiviral? I'm going to czech it....
 
ketan said:

The new Candyman is sick


Thanks for bringing this up, I remember the og to be semi-boring and underwhelming and would have never checked this out otherwise. Really entertaining and funny with surprisingly good dialogues.
 
Yeah, the original never left a mark on me either. The reason I checked is that Jordan Peele produced it. Get Out and Us are both worth multiple viewings if you haven't seen them.
 
ketan said:

Yeah, the original never left a mark on me either. The reason I checked is that Jordan Peele produced it. Get Out and Us are both worth multiple viewings if you haven't seen them.

I've seen and enjoyed both of those. Good idea, I should at least watch Us for a 2nd time.Candyman could make for an interesting franchise if it's handled by the same team.
 
The Green Knight - I really liked it. It's a pretty simple "knight's quest" story, but told in a way that doesn't hand-feed you much. i found that really satisfying because most of these types of movies are created as pure (dumb) entertainment. it reminded me in style/tone of The Fountain... walked a line between accessible/captivating and a quite a bit out there.
 
Watched The Brutalist (over three days!) and... didn't love it. It's well made with good acting... and given that it's fiction, it's a hell of a story. Feels like a bit like if Daniel Plainview was broken down into two characters in There Will Be Blood. Might just be because I had to spread it out over viewings, but it felt underdeveloped plot-wise in a few respects (won't spoil anything). And the main character is so unlikeable!

This new DeBarge documentary looks interesting - hope it's not exploitative. Anyone in LA catch it? There's a trailer on the site:
 
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I had no idea about the DeBarge doc, let alone that it screened in LA earlier this week. I don't have any streaming platforms, but it's likely that it will be shown at one of the American Cinematheque theaters (Aero, Egyptian and Los Feliz) eventually.

Speaking of which, I saw the LA premiere of "I'm Still Here" at the Aero a couple of months ago with Fernanda Torres, Selton Mello and Walter Salles in attendance. It will probably win at least one of the three top categories it was nominated for, as it should. The soundtrack alone would be of interest to the Strut.
 
the oscars are whatever, but so glad that Flow actually won for best animated film! saw it with my kids, and really enjoyed it. it's a nice little story that's quite profound and realized to perfection.
 
The animation category was pretty balanced this year - not just full of the usual suspects (Dreamworks, Pixar, Ghibli). Flow is one of only a few from the Oscars that are on my to-watch list.
 
I think I watched all of the animated features this year (daughter-related), I liked Wild Robot better than the others. I get why Flow won it, but to me it felt like I was watching an indie adventure quest video game from 15 years ago.
 
lol.

i still haven't seen Wild Robot but have read the books with the kids. they're great so have high hopes for the films
 
I was surprised by how much I enjoyed this. Bonus points for Repo Man references. Tempted to download Suburbia next, these would made a great triple feature.

 
Hadn't heard of that....and then I looked it up and Too $hort is actually in it?! Looks like fun.

The last new-ish movie I saw was The Old Oak, Ken Loach's finale from a couple of years back. Really engaging and well planned out. It was like putting on an old, comfy shoe. Typically sad ending that felt a bit abrupt. Oh well. I'll miss his filmmaking.

Loach and Haneke appear to have made their last films... so it's nice to see that the Dardennes have a new one at Cannes this year, and I still haven't seen Hard Truths by Mike Leigh. Who are the other filmmakers you rate who bring the social realism?