DOR said:4YearGraduate said:
	I wrote a song about this, the crux is that fans are now the curators of peoples catalogs. This would be a 10 pager if I went in on the nuts and bolts of how fucked up this current situation is for Indy artists, and then I would have to listen to a bunch of non artists tell  me how rad the Internet is for exposure and that you can make up all te extra money on the road. No thanks.
	
	I'm actually interested in that convo. If only because it can show both sides to an argument and open people up to idea's & information many don't know. From all sides.
	
	Tho, I'm not interested in any one side trying to control the conversation. I understand that, that does in fact happen. And I can understand why you might not want to have to keep defending your position over and over. But it's good to hear the under side of things.
	
	But then, I'm not an artist. Just a guy who sold music for most of his life.
	
	Well, below is pretty much everything i have to say about it. I wrote this while holding my newborn son in one arm wondering just what the fuck i was going to do with my life. I mean, i work the table at shows on the road and kids have no idea what album songs came from or where the fall, what year they came out, etc. And they love some stuff so great, I'm not mad at that because i suppose the bottom line is they heard it and they came out to the show. But the reality is I don't know how many shows Kool and The Gang did in 1974, i really don't care. All I care about are the albums they made and the physical legacy they left behind. And as such, if artists have to stay on the road, disconnected from reality, family and life, then the art will suffer - so to that end the "exposure is great, touring is where the pay off is" argument I hear and see over and over again on the net is a fallacy. 
	
	
DivShare File - 18 All Good Things.mp3
	
	the point of this is only to provide personal anecdote and suggest that the situation is very very grey and complicated.