I love this thread so much.  It really needs to be compiled into a book.  Has anyone taken a stab at it?
	
	I have a rather modest story of my own.  I don't have the deep pockets (or the luck) to clean out a forgotten hoard of records but I still enjoy digging whenever I can.  I think an issue for me is that I just got in the game too late.
	
	I used to spend my summers (and the occasional week or two in the winter) in Korea.  I would always check out the usual spots (written about in other posts) and I was semi-confident I knew some good spots not already completely cleaned out by serious diggers.  But after a while, I would only find the same records.  There would be some good ones, too, but I got sick of buying the same semi-decent records just because they were too cheap to pass up.  By this time, all the good Shin Jung Hyun-related records were long gone.  Every record store owner would tell me the same thing:  Japanese record collectors had long since bought up all the really good records (early Shin Jung Hyun, SJH-produced girl groups, group sound, etc).  Then came the Europeans, who focused mostly on obscure psych/fuzz/prog rock.
	
	I heard one particular story several times: a while back (80s? 90s?) a Japanese guy who didn't speak any Korean picked up a SJH record.  The seller (who didn't speak Japanese) stuck out two fingers to signal the (equivalent) price of $20.  The buyer misinterpreted it and, without any hesitation, handed the seller not $20 but $200.  Both the seller and buyer were happy.  That's when people started realizing that some of these records were sought after by foreigners.  Almost all the sellers conceded some regret that most of the truly collectible Korean records were now outside of Korea.  (But, I bet they felt no qualms about selling the records to foreigners for mad loot back in the day.)
	
	I almost felt foolish asking if they had the more collectible records, since we all knew the answer would be No.  And if, by chance, they had the record, it would be way too expensive for me.  I don't know how many times I got a false positive response due to all the (stupid expensive) REISSUES of Kim Jung Mi, SJH, He 6, etc.
	
	So by this time (3-5 years ago), good 60s and early 70s stuff was pretty much impossible to come by.  But other decent records were still plentiful and cheap (especially late-70s, early-80s stuff).  I remember coming across my first copy of "Hometown of the Stars" (usually called "Hometown Hero" on eBay for some reason).  Anyone who saw the original cover of the girl apparently getting raped (there were at least 3 different covers + minor variations) knew it had to be good.  That and "It Rained Yesterday" were my first two good Korean discoveries (personally speaking).  Every single place had at least one or two copies of that.  As recently as about 1-2 years ago, those were $10 records.  I hoarded that stuff, just because it was so cheap and I thought no one else knew about it.  Then they started showing up on eBay and selling for $200+ a pop (they have since come down to the $150 range).  Just about a year or two ago, all the San Ul Lim records sold for about $1-3 bucks each, and they were EVERYWHERE.  I would get pissed off because there were so many of them.  They were like pop vocal records in the States. 
	
	But the last time I was in Korea (about 6 months ago), Hometown and Rained were all gone.  Places that had them were now selling them for $100-200.  Even crappy San Ul Lim (vols 6 and up) were starting at $20-30.  The records had jumped at least 10 TIMES in price within one year!  I asked what the hell was going on.  They all said the same thing: about a year or two ago, younger "American" kids started buying them up.  In fact, ALL older records have gone up by about that much, just in the last year.
	
	I have really digressed.  Sorry.  But it all provides context.
	
	Okay, so about a year and a half ago, I was checking out some record stores but I kept finding the usual stuff.  I was almost digging more for other Strutters.  (A few years back, I posted some pics of Korea so some Strutters PMed me, asking me to look for stuff for them the next time I was in Korea.)  It was almost time to go because that day happened to be my birthday and my girlfriend had arranged a nice dinner for us.  I had about 10 minutes left before I had to go.  I went to a different area not known for records but I just had that feeling.  I don't get that Spidey Sense often....  I went into a tiny store that looked more like a stereo repair shop.  I saw he had some records so I asked if I could look.  He was cool.  He asked what I was looking for.  Since I only had 10 minutes, I didn't have time to go through the whole store myself.  I had to just ask him if he had this or that record.  I didn't want to start by asking for a grail I knew he wouldn't have so I asked for a fairly common Ham Jung A record that for some reason had been eluding me.  "Of course," he said and pulled it right out.  Cool. 
	
	"What else are you looking for?"
	
	"Uh...  early Pearl Sisters (SJH productions with heavy drums)?"
	
	Then he pulls out every single one that I'm missing, and not the second issues, either.  He had the first pressings with the gatefold covers.
	
	(moving up the chain): "Do you have any early Kim Choo Ja (more SJH-produced drummy goodness)?"
	
	Yup.  Original gatefold.
	
	By then I start to sweat.  "You wouldn't happen to have, Kim Jung Mi, would you?"
	
	"Yes."
	
	He had SEVERAL.  He asked what my favorite track was.  I told him.  He pulls the record right out and plays it full freaking blast.  Those dirty, basement drums never sounded so good!
	
	He said he was surprised that someone (relatively) young like me would even be looking for these.  He seemed to get a kick out of playing/talking about these records.
	
	He said, "If you like Kim Jung Mi, then you might like this Shin Jung Hyun record," and pulls out SJH Sound Vol. 1!!  By the way, all the records were in beautiful condition.
	
	He kept asking what I wanted.  I would tell him.  He would have it.  This ridiculous sequence continued for about 10-15 minutes.  After a while, I couldn't even think of stuff to ask for.  I just told him honestly that he had the best Korean record collection that I had ever seen.  He said this is all his personal collection.  He bought all of these records himself when they first came out.  I could tell he hadn't listened to them in years.  He seemed to be having fun reminiscing.
	
	It was time for me to go and there was a ridiculous stack of some of the best Korean records (at least by my own personal tastes) right in front of me.  Unfortunately, I could only afford to buy a few of them.  He didn't seem to mind at all.  He was just happy to talk about these records.
	
	When I met my girlfriend for dinner, I told her the story.  She laughed: "Are you sure you weren't dreaming?"  (I had told her that I used to have dreams, literally, about this scenario.)  I pulled out some of the records as proof.  Since then, she has always jokingly referred to that store as the "dream store."
	
	Fast forward one year (this would be about 6 months ago).  I was back in Korea.  I wanted to prove to my girlfriend that the place really existed so I took her along.  With only a little difficulty, I found the place again.  And all the records I left behind were STILL THERE!  My girlfriend saw all of them for herself.  I think I still have photos of the place.
	
	Like I said in the beginning, I don't have fat stacks of cash for records so I had to leave MOST of those records behind.  He had almost everything I wanted, but the records were a bit pricy (but reasonable).  So it was bittersweet.  I experienced the thrill of finding great stuff, but I could only afford to buy a few records.  (I bought a few more the second time I went.)  But still, there's a chance some of the records will still be there next time.  Maybe I can buy a few records each time I visit.  If someone else finds the place, I wouldn't feel so bad because the seller was so friendly and I want him to have some good business.  And at least I got to dig out and listen to all those great records.  I feel like the guy at the end of Charade who returns the "item" without hesitation because he had the joy of having owned it, if even for a moment.