Junior said:See that's strange to me as Krit's sound is much more traditionalist than a lot of the music that has been posted in this thread (though I've noticed that the BSM etc style beats have disappeared over the last ten pages or so).
Yeah, in the past people have been dismissive of KRIT on these pages precisely because he's a traditionalist. Like, if he's not really doing anything all that different from Ball & G, UGK, Face, OutKast, etc., then why choose his music over theirs? While I think that's a fair point, I don't think it's a valid enough reason for not bothering with him altogether. Individual issues of taste notwithstanding, his shit just sounds good. I enjoy listening to it, and I like how he seems committed to a very distinct aesthetic without allowing himself to become hemmed in by it. I don't really care that he isn't reinventing the wheel. He's got his own thing, and he clearly recognises and understands the way in which it fits in with an existing thing.
But to specifically address SP's point, KRIT loops up plenty of old shit; he just doesn't do it as an end in itself. Not trying to steer this always-cordial thread into a fractious debate on production values, but more often than not these days I find rigid traditionalism makes for boring music - for example, that recent Joey Bada$$ joint with Premo is the perfect example of something that's Unorthodox only in name.